Insights archive

Red Pony is a team of writers, editors, Microsoft Office template developers and communications trainers. We have been writing about our areas of expertise since 2009 in our Red Pony Express newsletter.

This collection features a selection of our best articles.

Business communications, Formatting Peter Riches Business communications, Formatting Peter Riches

What the font?

When the physicist announcing the possible discovery of the Higgs boson last July used the font Comic Sans in her presentation, she unwittingly became a combatant in the war against this widely derided typeface. But in choosing Comic Sans, perhaps Fabiola Gianotti was deliberately drawing on recent studies that suggest fonts that are harder to read actually help us retain information.

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English language Andrew Eather English language Andrew Eather

Fifty words for snow, no word for go

We’re all familiar with the observation that such-and-such a language has no word for ‘sorry’, or ‘please’, usually made in order to cast a slur on the character of the speakers of such an unsolicitous language. Citation of words such as schadenfreude (shameful joy at the misfortune of others), serves a similar purpose in reverse – they have a word for something nasty which they must be doing all the time, but which we don’t require, as such thoughts never cross our minds.

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Editing, Proofreading, Business communications Andrew Eather Editing, Proofreading, Business communications Andrew Eather

Grammar at work – who cares?!

Put simply, when you dash off an email and send it as soon as you’ve typed the final character, without rereading it and checking for errors, you’re saying to your recipient, ‘You are not important to me’. This may be your intention, but if it isn’t, take a breath and read that message one more time before you hit ‘send’.

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Web writing, Copywriting, English language Andrew Eather Web writing, Copywriting, English language Andrew Eather

Creeps from the deeps

Perhaps you are familiar with a common horror movie device – it’s the opposite of the ‘sudden surprise’ that startles the audience and the protagonist at the same time. This is the one where the monster/tidal wave/giant squid looms up behind the protagonist to reveal its vast immensity to the audience before the protagonist turns around to be devoured/drowned/ingested.

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English language Andrew Eather English language Andrew Eather

Mind your language

There’s a couple of different routes by which a word joins the vast English vocabulary: we enlist a Latin or Greek word to help us describe a new concept or object (the pneumatic tyre, the personal computer); or new words find us, crashing the party uninvited and ready to start meaning things all on their own.

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Tendering Peter Riches Tendering Peter Riches

The ‘what, how, where’ of tender writing

Last month I was invited to present at a Tender Management Roadshow in Adelaide run by the Tonkin Corporation. In my talk I spoke about the tools and processes we use at Red Pony to help our clients produce compelling and often successful tenders.

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Editing, Copywriting Kyra-Bae Snell Editing, Copywriting Kyra-Bae Snell

To correct or not to correct

Tricky situations arise when someone uses a word in the wrong context or when it is pronounced incorrectly. We have all experienced that moment when our great story has been interrupted by someone saying something like, ‘You mean dock the boat, not park the boat, because you park cars, not boats – don’t you?’

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Technical writing Peter Riches Technical writing Peter Riches

Lessons from IKEA

As I assembled a new wardrobe last weekend in the spare-room-cum-study that is soon to be my daughter’s new bedroom, I was struck by just how simple yet effective the instructions were. Perhaps more striking was the fact that they didn’t contain a single word.

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